I have been recently asked about ” Late night at Sursock” and whether it is still a work in progress. The answer is yes , because i am still looking for people to participate in the project. As i mentioned in a previous post i was in london when sursock museum opened its doors. I didn’t quite know what to expect . But i finally visited sursock museum and all my doubts disappeared. It is quite breathtaking to say the least. From the architecture to the restoration of the premises, to their permanent collection of Lebanese art, to Assadour’s retrospective, Ali Cherri’s touching exhibition and the oud player on thursday nights, everything was simply perfect. Unlike the elitist etiquette it was carrying in the past, the new sursock is a museum with such a varied rich program that one can safely say : finally Lebanon has a great modern and contemporary museum that is for all Lebanese.
It is more than clear to me that it is through the arts , and institutions like sursock museum in particular,that the Lebanese will be pulled together.
That’s exactly why i chose people from all walks of life, all over lebanon to work on bits of my above design in their preferred medium : embroidery, crochet, nawl ,patchwork, etc
Later all the parts would be gathered to form back the original picture ,symbolising our desire to stay united as a nation despite the storms surrounding us.
My thanks to each and everyone who is helping me on the project!
I am quite excited to see the final result.
I was in london the day Sursock museum reopened it’s doors , how exciting ! It must have been so festive and fun to be there! After years of renovation , now it’s up and running and I can’t wait to visit ! That same night I couldn’t help imagining an artist at the reception, rising above all the criticism that was being showered on her by curators collectors patrons and art experts! Few weeks later I came across the below article by a very respectable art critic, where Courbet’s painting was mentioned. What a coincidence! Turned out artist meeting art patron had been done before. The roles of star and supplicant have been reversed it’s true but some artists and hopefully a majority remain as confident and independent as Courbet in The Meeting. The article was a major criticism of the corruption surrounding Art Basel Miami Beach. It is no secret to anyone that corruption has been a major ingredient of the art market.