Tag Archives: Beirut

The fabric passed the test !

Mixed media/ collage embroidery on Harman smooth cotton paper mounted on dibond   150x 117cm

Mixed media/ collage embroidery on Harman smooth cotton paper mounted on dibond 150x 117cm

A few more final touches for “Late night at Sursock” and it’s done! A collaborative mixed media work involving embroidery/weaving by people from different parts in Lebanon inspired by the tensions in the art world.  Gathering back all the pieces in one work symbolizes my belief that it is throught art and institutions like Sursock that Lebanese will be pulled together!  Special thanks to all the people who collaborated and made this project possible: Sana from Zouk, Lillie and her family from Baakline, Arpi and Anahid from Badguèr in Bourj Hamoud, Zeina and her team at Khan el Franj Saida, Safa and Anouane from Sour , Melissa from Jounieh Zorica from Batroun( for helping me find Melissa!), Eric Mona and Shahinaz of Tara W Kheit in tripoli,Hala and her team at Barjis, Ziad and his team at Inaash , Rabih from Mlikh Jezzine, Daria from Adonis , Fida from Aley, Dalal from Bekaa, Suheir at Decoratex, Bilal and Anny at Lollipop for the wonderful Dibond, Ibrahim at Palladium for his professional technical guidance and providing me with paper samples to do glue tests, and Melki for the 100% natural canvas and silk threads! For those who thought I was using a synthetic canvas the proof is in the video below! The fabric passed the 100% natural test as when burned, it crumbled between my fingers like powder and the burned edges were soft.

The fabric passed the test! from roula sorour on Vimeo.

Work in progress : Late night at Sursock 

Inspired by Courbet's The Meeting

Inspired by Courbet’s The Meeting

I have been recently asked about ” Late night at Sursock” and whether it is still a work in progress. The answer is yes , because i am still looking for people to participate in the project. As i mentioned in a previous post i was in london when sursock museum opened its doors. I didn’t quite know what to expect . But i finally visited sursock museum and all my doubts disappeared. It is quite breathtaking to say the least. From the architecture to the restoration of the premises, to their permanent collection of Lebanese art, to Assadour’s retrospective, Ali Cherri’s touching exhibition and the oud player on thursday nights, everything was simply perfect. Unlike the elitist etiquette it was carrying in the past, the new sursock is a museum with such a varied rich program that one can safely say : finally Lebanon has a great modern and contemporary museum that is for all Lebanese.

It is more than clear to me that it is through the arts , and institutions like sursock museum in particular,that the Lebanese will be pulled together.
That’s exactly why i chose people from all walks of life, all over lebanon to work on bits of my above design in their preferred medium : embroidery, crochet, nawl ,patchwork, etc
Later all the parts would be gathered to form back the original picture ,symbolising our desire to stay united as a nation despite the storms surrounding us.

My thanks to each and everyone who is helping me on the project!
I am quite excited to see the final result.

Work in progress, my version of Courbet’s The Meeting (Bonjour Monsieur Courbet)

Inspired by Courbet's The Meeting

Inspired by Courbet’s The Meeting

I was in london the day Sursock museum reopened it’s doors , how exciting ! It must have been so festive and fun to be there! After years of renovation , now it’s up and running and I can’t wait to visit ! That same night I couldn’t help imagining an artist at the reception, rising above all the criticism that was being showered on her by curators collectors patrons and art experts!
Few weeks later I came across the below  article by  a very respectable art critic, where Courbet’s  painting was mentioned. What a coincidence! Turned out artist meeting art patron had been done before.  The roles of star and supplicant have been reversed it’s true but some artists and hopefully a majority remain as confident and independent as Courbet in The Meeting. The article  was a major criticism of the corruption surrounding Art Basel Miami Beach. It is no secret to anyone that corruption has been a major ingredient of the art market.

https://news.artnet.com/market/art-basel-miami-beach-degrades-artists-385643#.VnNV7iIPd7I.mailto

If you’r wondering about the dramatic shift in style, it may be explained by the extensive costume research I did to participate in the  costume design competition  for Luc Besson’s movie Valerian .

Here was my submission, I didn’t win but it was so much fun!

Happy holidays to all!!