This is part of an ongoing series, where i am using museum’s facades and photos from museum’s archives, to build fictional realities pertaining to current events. The technique is varied, mainly envolving mixed media over printed digitally manipulated photos. The series is an homage to museums, these unique very dynamic yet meditational places where new connections between seemingly unrelated objets or events are established and where past and present are being woven together to come up with new narratives, questioning the past and imagining the future.
I’ve always sat in awe admiring the great brick facade of the V&A. Little did i know that Lockwood Kipling (Rudyard Kipling’s father)started his career as an architectural sculptor at the South Kensington Museum (later renamed the Victoria and Albert Museum) . That wonderful exhibition made it so clear to me that Britain’s greatness like that of the V&A relies so much on cultural diversity.
Mixed media/ collage embroidery on Harman smooth cotton paper mounted on dibond 150x 117cm
A few more final touches for “Late night at Sursock” and it’s done! A collaborative mixed media work involving embroidery/weaving by people from different parts in Lebanon inspired by the tensions in the art world. Gathering back all the pieces in one work symbolizes my belief that it is throught art and institutions like Sursock that Lebanese will be pulled together! Special thanks to all the people who collaborated and made this project possible: Sana from Zouk, Lillie and her family from Baakline, Arpi and Anahid from Badguèr in Bourj Hamoud, Zeina and her team at Khan el Franj Saida, Safa and Anouane from Sour , Melissa from Jounieh Zorica from Batroun( for helping me find Melissa!), Eric Mona and Shahinaz of Tara W Kheit in tripoli,Hala and her team at Barjis, Ziad and his team at Inaash , Rabih from Mlikh Jezzine, Daria from Adonis , Fida from Aley, Dalal from Bekaa, Suheir at Decoratex, Bilal and Anny at Lollipop for the wonderful Dibond, Ibrahim at Palladium for his professional technical guidance and providing me with paper samples to do glue tests, and Melki for the 100% natural canvas and silk threads! For those who thought I was using a synthetic canvas the proof is in the video below! The fabric passed the 100% natural test as when burned, it crumbled between my fingers like powder and the burned edges were soft.